So I've been working on a few otters, for the upcoming show at the Duluth Aquarium... and it is so crazy, the monochromatics and the few shots that work, and figuring out which view to paint- I spent well over two hours today trying to plan a painting, from two photos, and it just isn't jelling. There's a part of me who wants these to be partially abstract, and there's a part of me who fights the idea of abstraction because I don't think that's valid painting. There. I've said it. I don't understand it so I don't like it. Though I have to admit there are abstractionists whose work knocks my socks off.
Helen Frankenthaler,
Mark Rothko,
Ellsworth Kelly. But I don't know how to swing an otter into that league. And I don't really trust people who paint abstractly unless I see that they have an understanding of actual drawing and composition and value and all that. It seems too easy to throw some color down and have a great statement of what it means, and not have any depth. I know I trust people too easily.
Anyway, I am painting these otters who feel partially abstract.
Here's one of them.
16x20 acrylic on canvas, purchase
HERE for $700
1 comment:
I love your technical skill and color genius juxtaposed against the abstract vibrations of color and texture. Go Kat, GO! :)
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